পদ্মাবত 'দীপিকা' হলেন ডিজাইনার সব্যসাচীর 'মিউজ', বাকরুদ্ধ করা সেই সৌন্দর্যের ঝলক দেখুন

ছবি সৌজন্যে ইন্সটাগ্রাম

মুম্বই:  অনস্ক্রিনে দীপিকা পাড়ুকোনের চোখধাঁধানো চেহারা বারংবারই দর্শককে মুগ্ধ করেছে। সেটা 'পিকু' হোক বা 'বাজিরাও মস্তানি', 'গোলিও কি রাসলীলা-রামলীলা'। একাধিকবার দীপিকার ঐশ্বরিক সৌন্দর্য মুগ্ধ করেছে আসমুদ্রহিমাচলের প্রতিটি দর্শককে। হালে সঞ্জয় লীলা বনশালীর পদ্মাবত (পদ্মাবতী)র রূপের ছটা দেখেও চোখ ফেরানো যায়নি। এবার সেই দীপিকাকেই দেখা গেল ফ্যাশন ডিজাইনার সব্যসাচী মুখোপাধ্যায়ের মিউজ হতে।

সাম্প্রতিক সেই ফটোশ্যুটে রাজকীয় এক আবেশের মধ্যে দেখা গিয়েছে দীপিকাকে। কোথাও যেন দীপিকার লুকের মধ্যে দেখা গিয়েছে একটা বাঙালিয়ানার ছোঁয়া। লাল থেকে অফ-হোয়াইট বিভিন্ন রঙের শাড়িতে, কপালে লাল টিপ এবং স্বল্প গয়নায় দীপিকা যেন সেই স্বপ্ননারী, যিনি যেকোনও পুরুষের কল্পনায় দেখা দেন। তবে শুধু বাঙালিয়ানা নয়, একটু রাজস্থানি ছোঁয়াও দেখা গিয়েছে দীপিকার লুকে। ফটোশ্যুটের সেই ছবি ও  ভিডিও শেয়ার করেছেন সব্যসাচী।  

If you grew up in Bengal at the time I was growing up, sometime between late seventies and early eighties, you would know that the consumer was the designer. I spent hours watching my mother and her friends stretching organdy sarees over hand frames and hand painting exotic blooms on them. More often than not, they would match the blooms in their sarees to the real blooms on their hair. Talk about style! This is my homage to them. My mother and all her Bengal art school friends. What they lacked in terms of resources, they always over compensated with imagination. That is the true art of dressing well and good housekeeping! #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:47am PST

 

If you grew up in Bengal at the time I was growing up, sometime between late seventies and early eighties, you would know that the consumer was the designer. I spent hours watching my mother and her friends stretching organdy sarees over hand frames and hand painting exotic blooms on them. More often than not, they would match the blooms in their sarees to the real blooms on their hair. Talk about style! This is my homage to them. My mother and all her Bengal art school friends. What they lacked in terms of resources, they always over compensated with imagination. That is the true art of dressing well and good housekeeping! #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:44am PST

 

In 2002, I rented my first apartment. And moved in there with my tailors and pattern makers. It was all under a thousand square feet. It would become my home, my factory and my atelier! I hand-painted the walls in ‘Bengal Red’ with motifs of flora and fauna inspired by the tree of life! The horses back then did look like rabbits and one bird I am sure looked a bit like a nondescript reptile. Old habits die hard and so a better version of the tree of life makes a second appearance. In Coromandel Red – dextrously hand-painted by The Sabyasachi Art Foundation. #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:42am PST

 

If you grew up in Bengal at the time I was growing up, sometime between late seventies and early eighties, you would know that the consumer was the designer. I spent hours watching my mother and her friends stretching organdy sarees over hand frames and hand painting exotic blooms on them. More often than not, they would match the blooms in their sarees to the real blooms on their hair. Talk about style! This is my homage to them. My mother and all her Bengal art school friends. What they lacked in terms of resources, they always over compensated with imagination. That is the true art of dressing well and good housekeeping! Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 6:50am PST

 

In 2002, I rented my first apartment. And moved in there with my tailors and pattern makers. It was all under a thousand square feet. It would become my home, my factory and my atelier! I hand-painted the walls in ‘Bengal Red’ with motifs of flora and fauna inspired by the tree of life! The horses back then did look like rabbits and one bird I am sure looked a bit like a nondescript reptile. Old habits die hard and so a better version of the tree of life makes a second appearance. In Coromandel Red – dextrously hand-painted by The Sabyasachi Art Foundation. Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone

A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 11:01pm PST

 

The homes of North Calcutta always fascinate me. Through winding lanes and decrepit alleys, one often stumbles upon ‘Paradise lost’. Humble tea stalls, crumbling book binding factories and dingy mustard oil presseries make way for forlorn palaces and music rooms of erstwhile ‘zamindars’. A lesson in sheer hedonistic maximalism. Osler and Baccarat chandeliers, completely engulfed in a shroud of cobwebs occasionally twinkling in the late afternoon sunlight, Devonshire china holding on for dear life on creaky cabinets, jostling for space amidst hand-painted tin and an occasional Lifebuoy soap perched precariously on a silver salver. Works of great European and Bengali masters co-existing in communal harmony with a calendar from a local pharmaceutical company, a withering taxidermy and Fuji-colour rendered black and white family portraits. As a parakeet and a cockatoo chirp in unison from the courtyard, my fingers swipe the dust from the walls to unveil yet another treasure. A hand-painted wallpaper from Paris, finely outlined with 18 carat gold! And one thought one knew the city! Video Courtesy: Sabyasachi #Sabyasachi #TheWorldOfSabyasachi #TheSabyasachiArtFoundation #DeepikaPadukone #AsianPaints #Nilaya #SabyasaschixAsianPaints #SabyasachiForNilaya @worldofnilaya @asianpaints @deepikapadukone A post shared by Sabyasachi Mukherjee (@sabyasachiofficial) on Feb 4, 2018 at 11:07pm PST